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Saturday, December 28, 2013

Essential Exoticism: Jasmine and Joey - A Comparative Analysis between Joey of "Dogeaters" by Jessica Hagedorn and Jasmine from "Jasmine" by Bharati Mukherjee

Essential Exoticism: A Juxtaposition of Joey and Jasmine Sensuality and sexuality, wrath and desire, mystery and unheard-of: these are the raw emotions that define exoticism. Although exoticism cannot be distinctly illustrated through mere words, the core ideologies of eastern exoticism maintain remained unchanged, consistent, and distinctive for centuries. Exotic beings have abundant been subjects of Western interrogation and penetration, and the characters of Joey littoral and Jasmine are no exception. As a sexually-indifferent manilla paper mestizo in present-day(a) times, Joey Sands, also known as Mr. Heartbreak according to disco owner Andres Alacran, is privileged as a first individual narrator in Dogeaters by Jessica Hagedorn. In Jasmine, Bharati Mukherjee broke into the mainstream with a story that uncovers the myth of the American manifest destiny. In this tarradiddle of immigrant assimilation and aspiration, Jasmine, a poor, Indian girl, has little power outback(a) of her will and irresistible beauty. By analyzing the ways Joey and Jasmines exoticism influenced touch characters and their own personal developwork forcets as first person narrators, the parallels among these two otherwise differentiate characters can easily be drawn. His assertive seduction of Rainer and prescriptive flows of capital by exchange his desir competency and being a thief set up Joey Sands the forerunner of exoticism in Hagedorns novel. The new hustlers protean ability ensures his survival.
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His consistence is the spectacle that attracts paying customers; thus, Joey learns to mar ket place and sell his exposure as commodit! y to run men around and make them give him m angiotensin converting enzymey (Hagedorn 44). Mimicking scenes in tickling films, Joey sells his body to men, creating his own movies with their flexible endings to conjure self-empowering visions. In one ideational scene, he sees himself as a strong young animal--the statue of a magnificent young god (132). Yet Joeys self-loving denunciation mirrors and depends on the others desire:... If you want to get a enough essay, order it on our website: OrderCustomPaper.com

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